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第 1 到 3 筆結果,共 56 筆
第 200 頁
2. It masks and denatures the profound reality . 3. It masks the absence of the profound reality . 4. The image has no relation to any reality whatsoever : it is its own pure simulacrum . ( 6 ) As Baudrillard continues to 200 Tamkang ...
2. It masks and denatures the profound reality . 3. It masks the absence of the profound reality . 4. The image has no relation to any reality whatsoever : it is its own pure simulacrum . ( 6 ) As Baudrillard continues to 200 Tamkang ...
第 17 頁
If using “ many hands ” enables Palipana to perceive reality differently , in his working beside a stonemason or a dhobi woman , Palipana learns by imitating the producers of the runes so that he might approach the virtual coexisting ...
If using “ many hands ” enables Palipana to perceive reality differently , in his working beside a stonemason or a dhobi woman , Palipana learns by imitating the producers of the runes so that he might approach the virtual coexisting ...
第 150 頁
( Hardin 48–49 ) The ineffaceable reality of death is thus confirmed despite its encompassing cultural reproduction in the postmodern age . Though technologized surroundings do reduce its acuteness , death , life's ultimate reality ...
( Hardin 48–49 ) The ineffaceable reality of death is thus confirmed despite its encompassing cultural reproduction in the postmodern age . Though technologized surroundings do reduce its acuteness , death , life's ultimate reality ...
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