Vermeer's Hat: The seventeenth century and the dawn of the global world

封面
Profile Books, 2010年7月9日 - 294 頁

'Effortless and compelling, Brooks is a wonderful storyteller. I doubt I will read a better book this year.' Sunday Telegraph

Each of Vermeer's paintings tells a story. In one, a military officer leans toward a laughing girl; in another, a woman stands by a window and weighs silver; in a third, fruit spills from a porcelain bowl onto a lavish Turkish carpet.

Hiding in plain sight, these details hint at the intricate threads that bound Vermeer's world together - the officer's hat is made from North American beaver, bought with silver extracted from the mines of Peru, while beaver pelts were traded in their thousands for the Chinese porcelain so beloved by the Dutch in the Golden Age. From a view of Delft, Vermeer gives us the world.

As a new Vermeer exhibition opens at the Rijksmuseum, the largest of its kind in history, Vermeer's Hat offers a fascinating perspective on how the burgeoning forces of trade and commerce shaped Vermeer's masterpieces.

 

內容

1 The View from Delft
1
2 Vermeers Hat
26
3 A Dish of Fruit
54
4 Geography Lessons
84
5 School for Smoking
117
6 Weighing Silver
152
7 Journeys
185
No Man is an Island
217
Acknowledgments
231
Chinese and Japanese Publications
233
Recommended Reading and Sources
235
Notes
259
Index
263
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關於作者 (2010)

Timothy Brook is a professor of Chinese history at the University of British Columbia in Vancouver, Canada. The author of eight books on Chinese history, he is also editor-in-chief of the six-volume History of Imperial China from Harvard University Press. Vermeer's Hat is his most widely read book.

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