淡江評論, 第 35 卷,第 3-4 期Graduate School of Western Languages and Literature, Tamkang University, 2005 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 8 筆
第 264 頁
... Catch a Thief . The director , in his interviews with François Truffaut , dismisses the film as lightweight and is reluctant to talk about it . In the seminal work on Hitchcock's films by Robin Wood , which in its current edition ...
... Catch a Thief . The director , in his interviews with François Truffaut , dismisses the film as lightweight and is reluctant to talk about it . In the seminal work on Hitchcock's films by Robin Wood , which in its current edition ...
第 273 頁
... Catch a Thief , in formal visual terms , a failed model of the famous Hitchcock anxiety machine . When To Catch a Thief premiered in the summer of 1955 , critics were unanimous in their dislike of the film , but could not agree on what ...
... Catch a Thief , in formal visual terms , a failed model of the famous Hitchcock anxiety machine . When To Catch a Thief premiered in the summer of 1955 , critics were unanimous in their dislike of the film , but could not agree on what ...
第 281 頁
... Catch a Thief offers more cultural parody of Americans than any of Hitchcock's more psychoanalytically driven films . While hardly speaking to real French or European concerns about the invasion of what they may or may not have seen as ...
... Catch a Thief offers more cultural parody of Americans than any of Hitchcock's more psychoanalytically driven films . While hardly speaking to real French or European concerns about the invasion of what they may or may not have seen as ...
內容
The Moral Fuzziness of the English Was Chunyen Chen | 1 |
Media and the Meltdown of James A Steintrager | 27 |
Holy Smoke Shen ShiaoYing | 61 |
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