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第 1 到 3 筆結果，共 24 筆
第 16 頁
As the adult Saleem recalls , from the very beginning his destiny is tied to this finger : In a picture hanging on a bedroom wall , I sat beside Walter Raleigh and followed a fisherman's pointing finger with my eyes ; eyes straining at ...
As the adult Saleem recalls , from the very beginning his destiny is tied to this finger : In a picture hanging on a bedroom wall , I sat beside Walter Raleigh and followed a fisherman's pointing finger with my eyes ; eyes straining at ...
第 135 頁
In both the beginning and ending of the sequence , Giliespie is watching Virgil , then Virgil and Mr. Endicott , and one of the central climax close - up shots focuses on that act of viewing violence , not on the violence itself .
In both the beginning and ending of the sequence , Giliespie is watching Virgil , then Virgil and Mr. Endicott , and one of the central climax close - up shots focuses on that act of viewing violence , not on the violence itself .
第 222 頁
Lear's newly fashioned manhood requires Cordelia to play the same role of obedient daughter as at the beginning of the play . Lear's entrance with Cordelia dead in his arms answers directly to his own evocation of “ sacrifices ” at the ...
Lear's newly fashioned manhood requires Cordelia to play the same role of obedient daughter as at the beginning of the play . Lear's entrance with Cordelia dead in his arms answers directly to his own evocation of “ sacrifices ” at the ...
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內容
The Moral Fuzziness of the English Was Chunyen Chen | 1 |
Media and the Meltdown of James A Steintrager | 27 |
Holy Smoke Shen ShiaoYing | 61 |
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