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" Wilson, without so great a feature, had a more varied and more proportionate power: he observed nature in all her appearances, and had a characteristic touch for all her forms. But though in effects of dewy freshness and silent evening lights, few... "
Letters on the scenery of Wales - 第 77 頁
Robert Hasell Newell 著 - 1821 - 80 頁
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General Biography: Or, Lives, Critical and Historical, of the Most ..., 第 10 卷

John Aikin - 1815 - 506 頁
...given by Mr. Fuseli : " Claude, little above mediocrity in all other branches of landscapepainting, had one great prerogative, sublimity : but his powers...two introduced or handled with greater infelicity." Mr. F. proceeds, WIL " Wilson is now numbered with the classics of the art, though little more than...
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The General Biographical Dictionary:: Containing an Historical and Critical ...

1817 - 552 頁
...their style. "Claude," he adds, "little above mediocrity in all other branches of landscape-painting, had one great prerogative, sublimity ; but his powers...introduced or handled with greater infelicity : treated by Claude or Wilson, St. Ursula with her Virgins, and ./Eneas Landing, Niobe with her family, or Ceyx...
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The General Biographical Dictionary, 第 32 卷

Alexander Chalmers - 1817 - 556 頁
...with the sun, he could only be serenely sublime or romantic. Wilson, without so great a feature, bad a more varied and more proportionate power : he observed...introduced or handled with greater infelicity : treated by Claude or Wilson, St. Ursula with her Virgins, and iEneas Landing, Niobe with her family, or Ceyx drawn...
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The Edinburgh annual register, 第 9 卷

1820 - 746 頁
...her forms. But in effects of dewy freshness and silent evening lights, he has seldom been equalled ; his grandeur is oftener allied to terror, bustle and convulsion, than to calmness and tranquillity. " Wilson,'1 says Mr Fuseli, " is now numbered with the classics of the art, and though little more...
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The Edinburgh Annual Register, 第 9 卷

Walter Scott - 1820 - 748 頁
...her forms. But in effects of dewy freshness and silent evening lights, he has seldom been equalled ; his grandeur is oftener allied to terror, bustle and convulsion, than to calmness and tranquillity. " Wilson,1' says Mr Fuseli, " is now numbered with the classics of the art, and though little more...
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The Lives of the Most Eminent British Painters and Sculptors, 第 1 卷

Allan Cunningham - 1832 - 324 頁
...touch for all her forms. But, though in effects of dewy freshness and silent evening lights few have equalled and fewer excelled him, his grandeur is oftener...and convulsion, than to calmness and tranquillity. He is now numbered with the classics of the art, though little more than the fifth part of a century...
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Monthly Review; Or Literary Journal Enlarged

1830 - 658 頁
...touch for all her forms. But, though in effects of dewy freshness and silent evening lights few have equalled and fewer excelled him, his grandeur is oftener...terror, bustle, and convulsion, than to calmness and tranquillity.'—vol. 1. p. 202. Of Wilson's enthusiastic ardour in his profession, the following anecdote...
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Cambrian Quarterly Magazine and Celtic Repertory, 第 3 卷

1831 - 552 頁
...touch for all her forms. But though in effects of dewy freshness and silent evening lights, few have equalled, and fewer excelled him, his grandeur is...and convulsion, than to calmness and tranquillity. He is now numbered with the classics of the art, though little more than the fifth part of a century*...
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The Georgian Era: Political and rural economists. Painters, sculptors ...

1834 - 614 頁
...freshness and silent evening lights, few equalled, and fewer excelled him, his grandeur is offener allied to terror, bustle, and convulsion, than to...two introduced or handled with greater infelicity." It is hardly fair, however, to draw a parallel between two artists whose styles, it is admitted, were...
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The Georgian Era: Political and rural economists. Painters, sculptors ...

1834 - 730 頁
...the prince of Italian landscape painters; "Claude, little above mediocrity in all other branches of landscape painting, had one great prerogative —...two introduced or handled with greater infelicity." It is hardly fair, however, to draw a parallel between two artists whose styles, it is admitted, were...
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