Canons in Conflict: Negotiating Texts in True and False Prophecy

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Oxford University Press, 1997年5月29日 - 256 頁
In this new study, James Brenneman confronts the issue of conflicting canons with full force, incorporating insights gained from both literary and biblical disciplines on the question of canon. He begins with an illuminating tour through contemporary literary theory from Hans Robert Jauss to Stanley Fish, and current discussions in theology about the canon. He goes on to a consideration of true and false prophesy, with a detailed examination of the three apparently conflicting versions of the Old Testament "swords into plowshares" prophesy, as found in Isaiah 2:2-4,5; Joel 4:9-12 (Eng. 3:9-12); and Micah 4:1-5. Suggesting that the dynamics controlling the process for negotiating between contradictory readings of prophetic texts are the same as those at work in adjudicating between canons in conflict, Brenneman concludes by pointing the way towards an integrative approach appropriate to the question of canon and authority in a "post-modern" pluralistic context.

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Engaging the Battle
3
CONTRADICTION COMMUNITY AND CANON
11
NEGOTIATING READINGS IN TRUE AND FALSE PROPHECY
81
Notes
149
Bibliography
197
Index
219
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第 9 頁 - For out of Zion shall go forth the law, and the word of the Lord from Jerusalem. He shall judge between the nations, and shall decide for many peoples; and they shall beat their swords into plowshares, and their spears into pruning hooks; nation shall not lift up sword against nation, neither shall they learn war any more.
第 55 頁 - The totality of our so-called knowledge or beliefs, from the most casual matters of geography and history to the profoundest laws of atomic physics or even of pure mathematics and logic, is a man-made fabric which impinges on experience only along the edges.
第 171 頁 - Macht bedeutet jede Chance, innerhalb einer sozialen Beziehung den eigenen Willen auch gegen Widerstreben durchzusetzen, gleichviel worauf diese Chance beruht.
第 39 頁 - I did what critics always do: I "saw" what my interpretive principles permitted or directed me to see, and then I turned around and attributed what I had "seen" to a text and an intention. What my principles direct me to "see...
第 31 頁 - The aesthetic implication lies in the fact that the first reception of a work by the reader includes a test of its aesthetic value in comparison with works already read. The obvious historical implication of this is that the understanding of the first reader will be sustained and enriched in a chain of receptions from generation to generation; in this way the historical significance of a work will be decided and its aesthetic value made evident.
第 155 頁 - Terry Eagleton, Literary Theory: An Introduction (Minneapolis: University of Minnesota Press, 1983); William Ray, Literary Meaning: From Phenomenology to Deconstruction (Oxford: Blackwell, 1984); Vincent B.
第 70 頁 - ... not reducible to the usual oppositions between the inspired and the mundane, the true and the apocryphal, the sacred and the profane, and so on. On the contrary, it is a distinction between texts that are forceful in a given situation and those that are not.
第 47 頁 - You yourselves are our letter, written on our hearts, to be known and read by all; and you show that you are a letter of Christ, prepared by us, written not with ink but with the Spirit of the living God, not on tablets of stone but on tablets of human hearts.

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