淡江評論, 第 24 卷,第 1-2 期Graduate School of Western Languages and Literature, Tamkang University, 1993 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 14 筆
第 57 頁
... called an invertebrate writer , who slavishly stays in a rut trodden by the foregoing writers . If the writer vacillates between or slightly crosses the generic boundary and adds something new to it , he or she can be called an ...
... called an invertebrate writer , who slavishly stays in a rut trodden by the foregoing writers . If the writer vacillates between or slightly crosses the generic boundary and adds something new to it , he or she can be called an ...
第 3 頁
... called " painter's eye " here mainly refers to a special visual quality in the written discourse . Concretely speaking , the reader in his / her reading may feel that he sees the described objects through an imaginary eye ( implied ...
... called " painter's eye " here mainly refers to a special visual quality in the written discourse . Concretely speaking , the reader in his / her reading may feel that he sees the described objects through an imaginary eye ( implied ...
第 67 頁
... called Jian'an ( 196-220 ) is characterized as " The harmonic equilibrium [ of ornament / form ( wen ) and substance / content ( zhi ) ] was accomplished during this age ” ( ## ) and " Cao Zhi was the most outstanding poet of the Jian ...
... called Jian'an ( 196-220 ) is characterized as " The harmonic equilibrium [ of ornament / form ( wen ) and substance / content ( zhi ) ] was accomplished during this age ” ( ## ) and " Cao Zhi was the most outstanding poet of the Jian ...
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