淡江評論, 第 24 卷,第 1-2 期Graduate School of Western Languages and Literature, Tamkang University, 1993 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 37 筆
第 6 頁
... important to address such silencing , I have come to realize that it is no less important to point out crosscultural perceptions of silences , which tend to be more positive in Chinese and Japanese cultures . In Chinese and Japanese ...
... important to address such silencing , I have come to realize that it is no less important to point out crosscultural perceptions of silences , which tend to be more positive in Chinese and Japanese cultures . In Chinese and Japanese ...
第 14 頁
... important role in Wang Wei's poems . Whether in the dialogue or in the monologue , the first person voice , sometimes with a second voice involved , produces a special dramatic effect in this lyric form . Here , obviously the use of ...
... important role in Wang Wei's poems . Whether in the dialogue or in the monologue , the first person voice , sometimes with a second voice involved , produces a special dramatic effect in this lyric form . Here , obviously the use of ...
第 98 頁
... important conventional role . In the Hohe Minne the focus is on daytime , when social events take place . In Palace Style Poetry a recurrent convention is the nocturnal and diurnal time - frame . Mostly , the ladies are waiting inside ...
... important conventional role . In the Hohe Minne the focus is on daytime , when social events take place . In Palace Style Poetry a recurrent convention is the nocturnal and diurnal time - frame . Mostly , the ladies are waiting inside ...
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