淡江評論, 第 24 卷,第 1-2 期Graduate School of Western Languages and Literature, Tamkang University, 1993 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 20 筆
第 13 頁
... narrator's denial of the past and his joyful new recognition of the truth , either " nonrebirth " or the " Way , ” lend a strong religious color to those meditative monologues . Still we can see the sadness and fear of the narrator for ...
... narrator's denial of the past and his joyful new recognition of the truth , either " nonrebirth " or the " Way , ” lend a strong religious color to those meditative monologues . Still we can see the sadness and fear of the narrator for ...
第 16 頁
... narrator gives us a series of narrative displays , chronologically from Li Ling's family background , his glorious youth to his tragic climax ( detained by the enemy and abandoned by the court ) . After narrating briefly the ...
... narrator gives us a series of narrative displays , chronologically from Li Ling's family background , his glorious youth to his tragic climax ( detained by the enemy and abandoned by the court ) . After narrating briefly the ...
第 18 頁
... narrator may be called a storyteller in terms of narrative quality , although those " stories " are actually only ... narrator's point of view . Wang Wei amazingly changes his narrator's position quite often , such as from the first ...
... narrator may be called a storyteller in terms of narrative quality , although those " stories " are actually only ... narrator's point of view . Wang Wei amazingly changes his narrator's position quite often , such as from the first ...
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