Consequences of Consciousness: Turgenev, Dostoevsky, and TolstoyStanford University Press, 2007 - 238 頁 Russian psychological prose has made a distinct contribution to world culture--not only to literature, but also to practical psychology and even to neuropsychology. Consequences of Consciousness focuses primarily on Russian ideas of the self and subjectivity, and how these ideas find expression in the fiction of Turgenev, Dostoevsky, and Tolstoy--the most important founding authors of the Russian school of psychological realism. These writers explore both the limits and the autonomy of subjective consciousness, and their books are as relevant today as they have ever been. Through close analysis of many well-known texts, Orwin reveals that these three authors conversed with each other through their works. She emphasizes the role Western thought played in the development of their psychological prose and how it was transformed by a Russian context. |
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第 1 到 3 筆結果,共 43 筆
第 38 頁
... early , even before The Sor- rows of Young Werther , and that he had no conscious plan when he did so.16 Part 1 of Faust " poured straight out of Goethe's soul , " and as a result it is " permeated through and through with unconscious ...
... early , even before The Sor- rows of Young Werther , and that he had no conscious plan when he did so.16 Part 1 of Faust " poured straight out of Goethe's soul , " and as a result it is " permeated through and through with unconscious ...
第 60 頁
... early model for such a form was Plato's dialogues , which he read while he was serving in the army in the Caucasus in the early 1850s . In the rest of this chapter , I discuss this Platonic moment in Tolstoy's development as a writer ...
... early model for such a form was Plato's dialogues , which he read while he was serving in the army in the Caucasus in the early 1850s . In the rest of this chapter , I discuss this Platonic moment in Tolstoy's development as a writer ...
第 69 頁
... early diary and drafts of early works , he regarded his reader as a potential close friend . Although I understand that this is a convention of sentimentalist prose , I think that Tolstoy adopted it be- cause it appealed to an ...
... early diary and drafts of early works , he regarded his reader as a potential close friend . Although I understand that this is a convention of sentimentalist prose , I think that Tolstoy adopted it be- cause it appealed to an ...
內容
Introduction | 1 |
The Platonic and the Turgenevian | 57 |
Dostoevskys Critique of Turgenev | 92 |
著作權所有 | |
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Adolescence Alyosha Andrei Kolosov Anna Karenina Annenkov artistic B-PSS Bazarov Belinsky Brothers Karamazov chapter characters childhood confession consciousness convicts Cossacks courage crime Critical D-PSS Dead Demons depict Dickens Dosto Dostoevsky Eugene Onegin evil Fathers and Children Faust feelings fiction freedom Goethe Goryanchikov Granovsky hero Herzen human Ibid ideal ideas impulses individual inner Ivan Jean-Jacques Rousseau Karamzin Karmazinov Kasian Katya later letter literary Liza Luria Makar Matryosha mind modern moral murder narrative narrator narrator's nature Nekhliudov Netochka Netochka Nezvanova nihilist Nikolenka Notes Notes from Underground novel Odoevsky passions peasant personality philosophical Plato poet Poor Folk prison Pushkin Pyotr Radilov readers realists reality reason reflection romantic longing Rousseau Russian literature Russian psychological prose self-conscious sentimental Slavophile Socrates soul Sportsman's Sketches Stavrogin Stepan Trofimovich Stiva story Strakhov thought tion toevsky Tolstoy Tolstoy's translation truth Tu-PSS Turgenev Underground understand Valkovsky Varvara Varya Vladimir Odoevsky writer young