Consequences of Consciousness: Turgenev, Dostoevsky, and TolstoyStanford University Press, 2007 - 238 頁 Russian psychological prose has made a distinct contribution to world culture--not only to literature, but also to practical psychology and even to neuropsychology. Consequences of Consciousness focuses primarily on Russian ideas of the self and subjectivity, and how these ideas find expression in the fiction of Turgenev, Dostoevsky, and Tolstoy--the most important founding authors of the Russian school of psychological realism. These writers explore both the limits and the autonomy of subjective consciousness, and their books are as relevant today as they have ever been. Through close analysis of many well-known texts, Orwin reveals that these three authors conversed with each other through their works. She emphasizes the role Western thought played in the development of their psychological prose and how it was transformed by a Russian context. |
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第 1 到 3 筆結果,共 44 筆
第 95 頁
... poet . And these two are likewise the only possible modes in which poetic genius can express itself at all . They are , as one can see , extremely different from one another , but there is a higher concept under which both can be ...
... poet . And these two are likewise the only possible modes in which poetic genius can express itself at all . They are , as one can see , extremely different from one another , but there is a higher concept under which both can be ...
第 97 頁
... poet must first of all feel mightily and only then objec- tify his feelings and reason about them . [ Goethe ] was gifted with all - encompassing contemplation ; everything of the earth was reflected in his soul simply , lightly and ...
... poet must first of all feel mightily and only then objec- tify his feelings and reason about them . [ Goethe ] was gifted with all - encompassing contemplation ; everything of the earth was reflected in his soul simply , lightly and ...
第 109 頁
... poet's preferences . In fact , Turgenev wrote , “ to precisely and forcefully produce the truth , life as it really is , is the highest joy for a writer even if that truth does not accord with his own personal likings . " 73 In the same ...
... poet's preferences . In fact , Turgenev wrote , “ to precisely and forcefully produce the truth , life as it really is , is the highest joy for a writer even if that truth does not accord with his own personal likings . " 73 In the same ...
內容
Introduction | 1 |
The Platonic and the Turgenevian | 57 |
Dostoevskys Critique of Turgenev | 92 |
著作權所有 | |
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Adolescence Alyosha Andrei Kolosov Anna Karenina Annenkov artistic B-PSS Bazarov Belinsky Brothers Karamazov chapter characters childhood confession consciousness convicts Cossacks courage crime Critical D-PSS Dead Demons depict Dickens Dosto Dostoevsky Eugene Onegin evil Fathers and Children Faust feelings fiction freedom Goethe Goryanchikov Granovsky hero Herzen human Ibid ideal ideas impulses individual inner Ivan Jean-Jacques Rousseau Karamzin Karmazinov Kasian Katya later letter literary Liza Luria Makar Matryosha mind modern moral murder narrative narrator narrator's nature Nekhliudov Netochka Netochka Nezvanova nihilist Nikolenka Notes Notes from Underground novel Odoevsky passions peasant personality philosophical Plato poet Poor Folk prison Pushkin Pyotr Radilov readers realists reality reason reflection romantic longing Rousseau Russian literature Russian psychological prose self-conscious sentimental Slavophile Socrates soul Sportsman's Sketches Stavrogin Stepan Trofimovich Stiva story Strakhov thought tion toevsky Tolstoy Tolstoy's translation truth Tu-PSS Turgenev Underground understand Valkovsky Varvara Varya Vladimir Odoevsky writer young