Tamkang Review, 第 23 卷1992 |
搜尋書籍內容
第 1 到 3 筆結果,共 45 筆
第 601 頁
... aesthetic values and concepts . But he was never a passive medium : he always interpreted Western aesthetic theories from the standpoint of traditional Chinese thought and the concrete practice of Chinese art and literature . Almost all ...
... aesthetic values and concepts . But he was never a passive medium : he always interpreted Western aesthetic theories from the standpoint of traditional Chinese thought and the concrete practice of Chinese art and literature . Almost all ...
第 609 頁
... aesthetics , which are now very different from those I had when I wrote the first draft . I was then strongly influenced by the formalist aesthetic as it evolved from Kant to Croce . This theory held that aesthetic experi- ence was only ...
... aesthetics , which are now very different from those I had when I wrote the first draft . I was then strongly influenced by the formalist aesthetic as it evolved from Kant to Croce . This theory held that aesthetic experi- ence was only ...
第 619 頁
... aesthetic analysis was concerned . In fact , if Chu Kuang - ch'ien shows that he is referring to Crocian theory as far as the concept of intuition is concerned , he openly and declaredly takes his distance from him on other matters of ...
... aesthetic analysis was concerned . In fact , if Chu Kuang - ch'ien shows that he is referring to Crocian theory as far as the concept of intuition is concerned , he openly and declaredly takes his distance from him on other matters of ...
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