Tamkang Review, 第 23 卷1992 |
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第 1 到 3 筆結果,共 25 筆
第 578 頁
... expression should not damage the substance " xTWH . " 49 Behind Liu Hsieh's privileging substance over expression there is obviously a presupposition that substance -- be it called emotion , feeling , intent , meaning , ideas , absolute ...
... expression should not damage the substance " xTWH . " 49 Behind Liu Hsieh's privileging substance over expression there is obviously a presupposition that substance -- be it called emotion , feeling , intent , meaning , ideas , absolute ...
第 586 頁
... expression at the key position will probably enable all the words of a literary piece to function efficiently , just as a whip at the right moment will acquire their values in the light of the key element . Lu Chi further observes that ...
... expression at the key position will probably enable all the words of a literary piece to function efficiently , just as a whip at the right moment will acquire their values in the light of the key element . Lu Chi further observes that ...
第 621 頁
... expressions , which are rather complicated and difficult , and much more . rarely attained , and these are called works of art . The limits of expression - intuition , which are called art , as opposed to those which are commonly called ...
... expressions , which are rather complicated and difficult , and much more . rarely attained , and these are called works of art . The limits of expression - intuition , which are called art , as opposed to those which are commonly called ...
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