Tamkang Review, 第 23 卷1992 |
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第 1 到 3 筆結果,共 31 筆
第 752 頁
... gender ambivalence of Monsieur / Madame , as the political ambivalence of master / slave , and as the psychosexual ambivalence of sadist / maso- chist . The play's dramatic use of Oriental dress and its Orientalist mode of address are ...
... gender ambivalence of Monsieur / Madame , as the political ambivalence of master / slave , and as the psychosexual ambivalence of sadist / maso- chist . The play's dramatic use of Oriental dress and its Orientalist mode of address are ...
第 753 頁
... gender representation in light of its cultural / sexual / theatrical use of costume . 3 This Oriental facade has always been used as a market promotion for Asian - American writers , e.g. the cover designs of Maxine Hong Kingston'e The ...
... gender representation in light of its cultural / sexual / theatrical use of costume . 3 This Oriental facade has always been used as a market promotion for Asian - American writers , e.g. the cover designs of Maxine Hong Kingston'e The ...
第 797 頁
... gender or sexual identity but by contingent and ever changing discourses or skills . Another interesting point to notice in this story is that we can also see a reversal of gender role in which GENDER AND SEXUALITY 797.
... gender or sexual identity but by contingent and ever changing discourses or skills . Another interesting point to notice in this story is that we can also see a reversal of gender role in which GENDER AND SEXUALITY 797.
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