Modernity, Islam, And Secularism In Turkey: Bodies, Places, And Time

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U of Minnesota Press - 199 頁
What would an Islamic modernism look like? The question is a pressing one, as cultures rebel against modernity in its almost exclusively European forms. Alev Cinar's groundbreaking examination of contemporary Turkey, which stands at the threshold of East and West, of religious and secular nationalism, explores modernity through daily practices and the social construction of identity and political agency in relation to nationalism, secularism, and Islam. Focusing on developments of the 1990s, Modernity, Islam, and Secularism in Turkey argues that Islamist ideology generated an alternative modernization project, which applied the same strategies and techniques as that of the modernizing state to produce and institutionalize its own version of an equally thorough nationalist program. Using local details and debates - including a fascinating discussion of veiling as symbolic of both the "liberation" of Western appearance and the Islamists' struggle to rescue their nation's culture - Cinar reveals modernity as a transformative intervention in bodies, places, and times. Bringing a much-needed critical theory approach to bear on the politics of an Islamic nation, Cinar's work introduces a new way of conceptualizing modernity based on the analysis of a non-Western context.

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Introduction
1
1 Performative Politics and the Public Gaze
33
Islamic Veiling and Secular Unveiling
53
The Use of Public Space in the Making of the Nation
99
Public Contestations of National History
138
Conclusion
168
Notes
179
Bibliography
193
Index
197
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第 46 頁 - If the rules governing signification not only restrict, but enable the assertion of alternative domains of cultural intelligibility, ie, new possibilities for gender that contest the rigid codes of hierarchical binarisms, then it is only within the practices of repetitive signifying that a subversion of identity becomes possible.
第 49 頁 - We are neither in the amphitheatre, nor on the stage, but in the panoptic machine, invested by its effects of power, which we bring to ourselves since we are part of its mechanism.
第 48 頁 - Bentham laid down the principle that power should be visible and unverifiable. Visible: the inmate will constantly have before his eyes the tall outline of the central tower from which he is spied upon. Unverifiable: the inmate must never know whether he is being looked at at any one moment; but he must be sure that he may always be so.
第 143 頁 - For the political unity of the nation consists in a continual displacement of its irredeemably plural modern space, bounded by different, even hostile nations, into a signifying space that is archaic and mythical, paradoxically representing the nation's modern territoriality, in the patriotic, atavistic temporality of Traditionalism.
第 43 頁 - Panopticon: to induce in the inmate a state of conscious and permanent visibility that assures the automatic functioning of power. So to arrange things that the surveillance is permanent in its effects, even if it is discontinuous in its action...
第 138 頁 - The idea of a sociological organism moving calendrically through homogeneous, empty time is a precise analogue of the idea of the nation, which also is conceived as a solid community moving steadily down (or up) history.
第 179 頁 - Bruce B. Lawrence, Defenders of God: The Fundamentalist Revolt against the Modern Age (San Francisco: Harper and Row, 1989). See also Nancy T. Ammerman, "North American Protestant Fundamentalism," in Fundamentalisms Observed, vol.
第 i 頁 - VOLUME 9 Claudio Lomnitz, Deep Mexico, Silent Mexico: An Anthropology of Nationalism VOLUME 8 Greg Urban, Metaculture: How Culture Moves through the World VOLUME 7 Patricia Seed, American Pentimento: The Invention of Indians and the Pursuit of Riches VOLUME 6 Radhika Mohanram...
第 43 頁 - observing' functions come together in a point exterior to the picture: that is, an ideal point in relation to what is represented, but a perfectly real one too, since it is also the starting-point that makes the representation possible. Within that reality itself, it cannot not be invisible. And yet, that reality is projected within the picture - projected and diffracted in three forms which correspond to the three functions of that ideal and real point. They are: on the left, the painter with his...

關於作者

Alev Cinar is assistant professor of political science at Bilkent University, Ankara, Turkey. 

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