Tamkang Review, 第 15 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1985 |
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第 1 到 3 筆結果,共 87 筆
第 94 頁
... Western Palace , " p . 153 . 57. " At the Western Palace , " p . 152 . 58. " A Song for a Barbarian Reed Pipe , " p . 199 . 59. For autobiography as confrontation with temporality , see Janet Varner Gunn , Autobiography : Toward a ...
... Western Palace , " p . 153 . 57. " At the Western Palace , " p . 152 . 58. " A Song for a Barbarian Reed Pipe , " p . 199 . 59. For autobiography as confrontation with temporality , see Janet Varner Gunn , Autobiography : Toward a ...
第 137 頁
... western narrative tradition we can witness quite a few discursive modes which resemble the Chinese case . For example , due to its obvious connection with the actual oral narrative tradition , the convention of Chinese storytelling ...
... western narrative tradition we can witness quite a few discursive modes which resemble the Chinese case . For example , due to its obvious connection with the actual oral narrative tradition , the convention of Chinese storytelling ...
第 217 頁
... Western music was something quite new to the ears of the Japanese . Until the appearance of Ozawa Seiji in the 1960s the Japanese did not believe in their musical talent . In the Meiji period according to a diary left by a German ...
... Western music was something quite new to the ears of the Japanese . Until the appearance of Ozawa Seiji in the 1960s the Japanese did not believe in their musical talent . In the Meiji period according to a diary left by a German ...
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