The Cinema of Ang Lee: The Other Side of the ScreenColumbia University Press, 2014年12月23日 - 272 頁 Born in Taiwan, Ang Lee is one of cinema's most versatile and daring directors. His ability to cut across cultural, national, and sexual boundaries has given him recognition in all corners of the world, the ability to work with complete artistic freedom whether inside or outside of Hollywood, and two Academy Awards for Best Director. He has won astounding critical acclaim for Crouching Tiger, Hidden Dragon (2000), which transformed the status of martial arts films across the globe, Brokeback Mountain (2005), which challenged the reception and presentation of homosexuality in mainstream cinema, and Life of Pi (2012), Lee's first use of groundbreaking 3D technology and his first foray into complex spiritual themes. |
內容
1 | |
21 | |
3 Confucian Values and Cultural Displacement in Pushing Hands | 49 |
4 Transgressing Boundaries of Gender and Culture in The Wedding Banquet
| 59 |
5 Globalization and Cultural Identity in Eat Drink Man Woman
| 69 |
6 Opposition and Resolution in Sense and Sensibility | 81 |
7 Fragmentary NarrativesFragmented Identities in The Ice Storm | 94 |
8 Race Gender Class and Social Identity in Ride with the Devil | 107 |
11 Transcending Gender in Brokeback Mountain | 147 |
12 Eroticism and Performance in LustCaution | 158 |
13 Memory Narrative and Transformation in Taking Woodstock | 171 |
A Spiritual Journey | 181 |
The Dream of Cinema | 192 |
Notes | 197 |
Bibliography | 213 |
Index
| 223 |
9 Wuxia Narrative and Transnational Chinese Identity in Crouching Tiger Hidden Dragon | 118 |
Hulk | 134 |