Tamkang Review, 第 18 卷Graduate School of Western Languages and Literature, Tamkang University, 1988 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 58 筆
第 229 頁
... experience and poetic practice . It will be argued here that classical haiku developed the way it did because it was capable of creating a unique experience that no other kind of poetry could simulate . Therefore , it is reasonable that ...
... experience and poetic practice . It will be argued here that classical haiku developed the way it did because it was capable of creating a unique experience that no other kind of poetry could simulate . Therefore , it is reasonable that ...
第 251 頁
... experience , which has been called the " haiku moment . " This experience finds support in everyday , non - artistic ways , such as in the " breath - taking " experiences people have with nature . The triumph of the haiku form is that ...
... experience , which has been called the " haiku moment . " This experience finds support in everyday , non - artistic ways , such as in the " breath - taking " experiences people have with nature . The triumph of the haiku form is that ...
第 361 頁
... experience . " And there are poems such as " The Fly " which belong simultaneously to the realms of " innocence , " " experience , " and " organized innocence . " Each poem is like a Kung - an for it presents a puzzle and awakens in us ...
... experience . " And there are poems such as " The Fly " which belong simultaneously to the realms of " innocence , " " experience , " and " organized innocence . " Each poem is like a Kung - an for it presents a puzzle and awakens in us ...
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