Dan Jiang Ping Lun, 第 32 卷,第 2 期Graduate School of Western Languages and Literature, Tamkang University, 2001 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 13 筆
第 44 頁
... imagination which , ideally , should also defy restrictions and soar unfettered . The symbolic nature of the title ... imagination and representation play an essential role in his work as well . Thus , each character is in- volved in a ...
... imagination which , ideally , should also defy restrictions and soar unfettered . The symbolic nature of the title ... imagination and representation play an essential role in his work as well . Thus , each character is in- volved in a ...
第 47 頁
... imagination and elaboration " ( 347 ) . Weighed down by their mimetic concerns , the realists bear nonliterary burdens , whereas the nonrealists , assuming no authentic ties between the thing itself and human artistic product , enjoy an ...
... imagination and elaboration " ( 347 ) . Weighed down by their mimetic concerns , the realists bear nonliterary burdens , whereas the nonrealists , assuming no authentic ties between the thing itself and human artistic product , enjoy an ...
第 64 頁
... imagination that is called for in Borges's stories . See Sturrock , Paper Tigers 33-45 . 23 Ma Yuan , " Die zhiyao de sanzhong fangfa " ( Three ways of making kites ) , in Xihai wufanchuan . 24 Lucien Dällenbach cites various sources to ...
... imagination that is called for in Borges's stories . See Sturrock , Paper Tigers 33-45 . 23 Ma Yuan , " Die zhiyao de sanzhong fangfa " ( Three ways of making kites ) , in Xihai wufanchuan . 24 Lucien Dällenbach cites various sources to ...
內容
Early Chou Luan Te Frank W Stevenson | 1 |
Rong Cai | 35 |
The Communication Gap Between Yenna Wu | 69 |
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