The Life of Poetry

封面
Morrow, 1974 - 232 頁
Observing that poetry is a natural part of our pastimes and rituals, Rukeyser opposes elitist attitudes and confronts Americans' fear of feeling. Multicultural and interdisciplinary, this volume makes an irrefutable case for the centrality of poetry in American life.

""The Life of Poetry" is not easy reading, nor was it intended to be. At times its range may seem nervously scattering, and the lyric prose takes on a heavy supersaturation. Nonetheless, one must admire, even 17 years posthumously, a brilliant mind fiercely at work."-Liz Rosenberg," The New York Times Book Review"

Excerpt, /B>

Now poetry, at this moment, stands in curious relationship to our acceptance of life and our way of living.

The resistance to poetry is an active force in American life.... Anyone dealing with poetry and the love of poetry must deal, then, with the hatred of poetry, and perhaps even more with the indifference which is driven toward the center. It comes through as boredom, as name?calling, as the traditional attitude of the last hundred years which has chalked in the portrait of the poet as he is known to this society, which, as Herbert Read says, "does not challenge poetry in principle-it merely treats it with ignorance, indifference and unconscious cruelty."

Poetry is foreign to us, we do not let it enter our daily lives. Do you remember the poems of your early childhood-the far rhymes and games of the beginning to which you called the rhythms, the little songs to which you woke and went to sleep?

Yes, we remember them.

But since childhood, to many of us poetry has become a matter of distaste. The speaking of poetry is one thing: one of the qualifications listed for an announcer ona great network, among "good voice" and "correct pronunciation," is the "ability to read and interpret poetry." The other side is told conclusively in a letter sent ninety years ago by the wife of the author of "Moby?Dick." Mrs. Melville said to her mother-"Herman has taken to writing poetry. You need not tell anyone, for you know how such things get around."

其他版本 - 查看全部

關於作者 (1974)

During her five-decade literary career, Rukeyser provoked varying critical response; yet her passionate contribution to the contemporary literary and political scene cannot be doubted. An outspoken "spokespoet," she was always where the political action was. As a young reporter from Vassar, she covered the 1932 Scottsboro Trial; some forty years later, she was jailed for her anti-Vietnam protests in Washington, D.C. So closely aligned is her activism to her art that several reviewers believe that the history of midcentury America can be garnered from her poetry. Yet, along with her outrage, Rukeyser's poetry is marked by optimism in a way that is reminiscent of Walt Whitman's verse. It is as though she believed that out of the pain of conflict will come a healing and transforming revelation. During her career, Rukeyser moved from a reliance on simple declaratives to a more sophisticated, private use of language; and, though she continued to deal with politics all her life, later poems also treat personal subjects---her role as mother and daughter, her sexual feelings for women and men, the illness that led to her death. From beginning to end, she was honored for her contribution to poetry: with the Yale Younger Poets Prize in 1935 for Theory of Flight to the tribute paid her at the annual New York Quarterly Poetry Day in 1977.

書目資訊