淡江評論, 第 22-23 卷Graduate School of Western Languages and Literature, Tamkang University, 1991 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 70 筆
第 214 頁
... Wang frequently alludes to in the book as the ultimate measure of poetry . The central importance Wang attaches to ching - chieh has led a great many scholars to concentrate on the meaning and ramifications of this notion as a way of ...
... Wang frequently alludes to in the book as the ultimate measure of poetry . The central importance Wang attaches to ching - chieh has led a great many scholars to concentrate on the meaning and ramifications of this notion as a way of ...
第 215 頁
Wang's interpretation of Western poetics rather than what might have been intended by the original authors , especially since he read most of these Western works in English and Japanese translations . ] Viewed in this way , JCTH thus ...
Wang's interpretation of Western poetics rather than what might have been intended by the original authors , especially since he read most of these Western works in English and Japanese translations . ] Viewed in this way , JCTH thus ...
第 226 頁
... Wang comments on how the very " soul , " " spirit , " and , in a word , " truth " of the lotus plant was cap- tured by the Sung poet Chou Pang - yen . Wang also indicates , in the same pass- age , that Chou's description of the lotus is ...
... Wang comments on how the very " soul , " " spirit , " and , in a word , " truth " of the lotus plant was cap- tured by the Sung poet Chou Pang - yen . Wang also indicates , in the same pass- age , that Chou's description of the lotus is ...
內容
Kieng Long and Western Letters | 17 |
Translation and Reception of Chinese Poetry | 43 |
Schillers Tale | 59 |
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actually aesthetic appears become beginning body called century Chang characters China Chinese comparative comparative literature concept concerned context course critics cultural described discourse discussion dream English example existence experience expression fact feeling female figures hand hermeneutics human Ibsen idea important individual influence interest interpretation kind language light limit literary literature look meaning metaphor mind mirror nature never Notes novel object Oriental original painting paradox past pien-wen plays poem poet poetic poetry political position possible Pound present Press problem question readers reading reality reason refers reflection relation represent response seems sense sexual significance situation social story suggests symbolic textuality theme theory things thinking thought tion traditional trans translation true turn understanding University Wang Werther Western whole writing York