淡江評論, 第 22-23 卷Graduate School of Western Languages and Literature, Tamkang University, 1991 A quarterly of comparative studies of Chinese and foreign literatures. |
搜尋書籍內容
第 1 到 3 筆結果,共 79 筆
第 214 頁
... Western aesthetics , about which he had been deeply enthusiastic during the previous ten years or so . But traces of Western influence , as we shall see in our discussion , are still very much present . [ In analyzing the Western ...
... Western aesthetics , about which he had been deeply enthusiastic during the previous ten years or so . But traces of Western influence , as we shall see in our discussion , are still very much present . [ In analyzing the Western ...
第 229 頁
... Western lyrical discourse is , alas , naturally predicative and thus ( against Aristotle's view of things ) cannot catch the ( non - predicative ) thing - world itself . The rootedness of Chinese poetic language in concrete nature , and ...
... Western lyrical discourse is , alas , naturally predicative and thus ( against Aristotle's view of things ) cannot catch the ( non - predicative ) thing - world itself . The rootedness of Chinese poetic language in concrete nature , and ...
第 827 頁
... Western attitudes toward mimesis appeared in a paper on the influence of the Italian critic Benedetto Croce on a ... Western art , a horse in a painting should look like a real horse and that from this perspective Chinese art is ...
... Western attitudes toward mimesis appeared in a paper on the influence of the Italian critic Benedetto Croce on a ... Western art , a horse in a painting should look like a real horse and that from this perspective Chinese art is ...
內容
Kieng Long and Western Letters | 17 |
Translation and Reception of Chinese Poetry | 43 |
Schillers Tale | 59 |
著作權所有 | |
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actually aesthetic appears become beginning body called century Chang characters China Chinese comparative comparative literature concept concerned context course critics cultural described discourse discussion dream English example existence experience expression fact feeling female figures hand hermeneutics human Ibsen idea important individual influence interest interpretation kind language light limit literary literature look meaning metaphor mind mirror nature never Notes novel object Oriental original painting paradox past pien-wen plays poem poet poetic poetry political position possible Pound present Press problem question readers reading reality reason refers reflection relation represent response seems sense sexual significance situation social story suggests symbolic textuality theme theory things thinking thought tion traditional trans translation true turn understanding University Wang Werther Western whole writing York