淡江評論, 第 22-23 卷Graduate School of Western Languages and Literature, Tamkang University, 1991 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 66 筆
第 110 頁
... beginning of this paper , Pound distinguishes between image and reality and questions the truth value of mere images . His fascination with the mirror begins to reveal itself only in the over - enthusiastic rhetoric of the poem . In ...
... beginning of this paper , Pound distinguishes between image and reality and questions the truth value of mere images . His fascination with the mirror begins to reveal itself only in the over - enthusiastic rhetoric of the poem . In ...
第 309 頁
... beginning of disaster " for the Zhen family . Apart from the theory of yin and yang , the idea of Five Elements is , as Andrew Plaks has demonstrated in his Archetype and Allegory in Dream of the Red Chamber , also found in the names of ...
... beginning of disaster " for the Zhen family . Apart from the theory of yin and yang , the idea of Five Elements is , as Andrew Plaks has demonstrated in his Archetype and Allegory in Dream of the Red Chamber , also found in the names of ...
第 728 頁
... beginning of the novel , suffers exactly the same treatment . Like Chan Chou Shih , Lin Shih is carried on a truck and exposed to the censoring eyes of the crowd as the truck circles around the city . The end of the book thus ...
... beginning of the novel , suffers exactly the same treatment . Like Chan Chou Shih , Lin Shih is carried on a truck and exposed to the censoring eyes of the crowd as the truck circles around the city . The end of the book thus ...
內容
Kieng Long and Western Letters | 17 |
Translation and Reception of Chinese Poetry | 43 |
Schillers Tale | 59 |
著作權所有 | |
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actually aesthetic appears become beginning body called century Chang characters China Chinese comparative comparative literature concept concerned context course critics cultural described discourse discussion dream English example existence experience expression fact feeling female figures hand hermeneutics human Ibsen idea important individual influence interest interpretation kind language light limit literary literature look meaning metaphor mind mirror nature never Notes novel object Oriental original painting paradox past pien-wen plays poem poet poetic poetry political position possible Pound present Press problem question readers reading reality reason refers reflection relation represent response seems sense sexual significance situation social story suggests symbolic textuality theme theory things thinking thought tion traditional trans translation true turn understanding University Wang Werther Western whole writing York