淡江評論, 第 22-23 卷Graduate School of Western Languages and Literature, Tamkang University, 1991 A quarterly of comparative studies of Chinese and foreign literatures. |
搜尋書籍內容
第 1 到 3 筆結果,共 72 筆
第 180 頁
... body and " returning the female gaze to the observing male , " Eileen Chang may , in fact , be considered the first ... body and male fears inspired by it , satirizing as grotesque the biologically " fixed " human body haunted by sexual ...
... body and " returning the female gaze to the observing male , " Eileen Chang may , in fact , be considered the first ... body and male fears inspired by it , satirizing as grotesque the biologically " fixed " human body haunted by sexual ...
第 181 頁
... body and a counter gaze by the female reflecting , often in parody , the masculine vision of women articulated via the physical body . Eileen Chang , writing in the 1940's , became the first Chinese woman writer to confront the subject ...
... body and a counter gaze by the female reflecting , often in parody , the masculine vision of women articulated via the physical body . Eileen Chang , writing in the 1940's , became the first Chinese woman writer to confront the subject ...
第 760 頁
... body of works under scrutiny . Third , chih - tz'u , which means the wording or rhetoric of the work or body of works under scrutiny . Fourth , kung - shang , which means the musical aspects including meter , rhyme and rhythm of the ...
... body of works under scrutiny . Third , chih - tz'u , which means the wording or rhetoric of the work or body of works under scrutiny . Fourth , kung - shang , which means the musical aspects including meter , rhyme and rhythm of the ...
內容
Kieng Long and Western Letters | 17 |
Translation and Reception of Chinese Poetry | 43 |
Schillers Tale | 59 |
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actually aesthetic appears become beginning body called century Chang characters China Chinese comparative comparative literature concept concerned context course critics cultural described discourse discussion dream English example existence experience expression fact feeling female figures hand hermeneutics human Ibsen idea important individual influence interest interpretation kind language light limit literary literature look meaning metaphor mind mirror nature never Notes novel object Oriental original painting paradox past pien-wen plays poem poet poetic poetry political position possible Pound present Press problem question readers reading reality reason refers reflection relation represent response seems sense sexual significance situation social story suggests symbolic textuality theme theory things thinking thought tion traditional trans translation true turn understanding University Wang Werther Western whole writing York