淡江評論, 第 22-23 卷Graduate School of Western Languages and Literature, Tamkang University, 1991 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 86 筆
第 28 頁
... characters , each one expressing a funda- mental idea . When a small mark is added to these characters , they take on various nuances such at tense and number . This method has produced more than 80,000 figures . As new information is ...
... characters , each one expressing a funda- mental idea . When a small mark is added to these characters , they take on various nuances such at tense and number . This method has produced more than 80,000 figures . As new information is ...
第 306 頁
... characters , objects , and places , and has a most So- phisticated naming system organizing the entire work . The various names , which are normally symbolic , shed light on the theme , the plot , and the characters , greatly ...
... characters , objects , and places , and has a most So- phisticated naming system organizing the entire work . The various names , which are normally symbolic , shed light on the theme , the plot , and the characters , greatly ...
第 384 頁
... characters themselves . In other words , even though he was not able to do away with the stock expressions and terms , which is value - laden , the ingenious storyteller nutralized his story by putting the words directly into the mouth ...
... characters themselves . In other words , even though he was not able to do away with the stock expressions and terms , which is value - laden , the ingenious storyteller nutralized his story by putting the words directly into the mouth ...
內容
Kieng Long and Western Letters | 17 |
Translation and Reception of Chinese Poetry | 43 |
Schillers Tale | 59 |
著作權所有 | |
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actually aesthetic appears become beginning body called century Chang characters China Chinese comparative comparative literature concept concerned context course critics cultural described discourse discussion dream English example existence experience expression fact feeling female figures hand hermeneutics human Ibsen idea important individual influence interest interpretation kind language light limit literary literature look meaning metaphor mind mirror nature never Notes novel object Oriental original painting paradox past pien-wen plays poem poet poetic poetry political position possible Pound present Press problem question readers reading reality reason refers reflection relation represent response seems sense sexual significance situation social story suggests symbolic textuality theme theory things thinking thought tion traditional trans translation true turn understanding University Wang Werther Western whole writing York