淡江評論, 第 22-23 卷Graduate School of Western Languages and Literature, Tamkang University, 1991 A quarterly of comparative studies of Chinese and foreign literatures. |
搜尋書籍內容
第 1 到 3 筆結果,共 75 筆
第 226 頁
... concept in addition to the notion of the " world " that Wang has contributed to Chinese literary criticism ; rather it is , together the concept " true , " an integral part of Wang's theory of the " world " . It is the very language and ...
... concept in addition to the notion of the " world " that Wang has contributed to Chinese literary criticism ; rather it is , together the concept " true , " an integral part of Wang's theory of the " world " . It is the very language and ...
第 591 頁
... concept has been written in the West ; see his " The Organic Concept in Aesthetics , " Comparative Literature 21 ( Winter 1969 ) : 3. To have some ideas of the historical development of the concept , see M. H. Abrams , The Mirror and ...
... concept has been written in the West ; see his " The Organic Concept in Aesthetics , " Comparative Literature 21 ( Winter 1969 ) : 3. To have some ideas of the historical development of the concept , see M. H. Abrams , The Mirror and ...
第 618 頁
... concepts , it is intuition of Tao . According to Taoist conception , therefore , intuition does not precede the concept , but goes beyond it ; it is not the first form of knowledge , but the last and the most truthful . What is more ...
... concepts , it is intuition of Tao . According to Taoist conception , therefore , intuition does not precede the concept , but goes beyond it ; it is not the first form of knowledge , but the last and the most truthful . What is more ...
內容
Kieng Long and Western Letters | 17 |
Translation and Reception of Chinese Poetry | 43 |
Schillers Tale | 59 |
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actually aesthetic appears become beginning body called century Chang characters China Chinese comparative comparative literature concept concerned context course critics cultural described discourse discussion dream English example existence experience expression fact feeling female figures hand hermeneutics human Ibsen idea important individual influence interest interpretation kind language light limit literary literature look meaning metaphor mind mirror nature never Notes novel object Oriental original painting paradox past pien-wen plays poem poet poetic poetry political position possible Pound present Press problem question readers reading reality reason refers reflection relation represent response seems sense sexual significance situation social story suggests symbolic textuality theme theory things thinking thought tion traditional trans translation true turn understanding University Wang Werther Western whole writing York