淡江評論, 第 22-23 卷Graduate School of Western Languages and Literature, Tamkang University, 1991 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 86 筆
第 459 頁
... experience of ) dream and illusion , he concealed the truth and employed the story of the Magic Jade to write this book The Story of the Stone ( one of a few alternate titles of the novel ) . " " Here the author reveals his intention to ...
... experience of ) dream and illusion , he concealed the truth and employed the story of the Magic Jade to write this book The Story of the Stone ( one of a few alternate titles of the novel ) . " " Here the author reveals his intention to ...
第 610 頁
... experience " , which is of seminal importance in Chu Kuang- ch'ien's thought . " Aesthetic experience " is systematically analysed by Chu Kuang - ch'ien in the first five chapters of The Psychology of Art and Literature , but almost all ...
... experience " , which is of seminal importance in Chu Kuang- ch'ien's thought . " Aesthetic experience " is systematically analysed by Chu Kuang - ch'ien in the first five chapters of The Psychology of Art and Literature , but almost all ...
第 611 頁
... experience as " the psychological activity that occurs when we respond to the beauty of nature and of art , ' " 99 " 9 and adds that " in aesthetic experience , only intuition links the mind to things , and things reveal only form to ...
... experience as " the psychological activity that occurs when we respond to the beauty of nature and of art , ' " 99 " 9 and adds that " in aesthetic experience , only intuition links the mind to things , and things reveal only form to ...
內容
Kieng Long and Western Letters | 17 |
Translation and Reception of Chinese Poetry | 43 |
Schillers Tale | 59 |
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actually aesthetic appears become beginning body called century Chang characters China Chinese comparative comparative literature concept concerned context course critics cultural described discourse discussion dream English example existence experience expression fact feeling female figures hand hermeneutics human Ibsen idea important individual influence interest interpretation kind language light limit literary literature look meaning metaphor mind mirror nature never Notes novel object Oriental original painting paradox past pien-wen plays poem poet poetic poetry political position possible Pound present Press problem question readers reading reality reason refers reflection relation represent response seems sense sexual significance situation social story suggests symbolic textuality theme theory things thinking thought tion traditional trans translation true turn understanding University Wang Werther Western whole writing York