淡江評論, 第 22-23 卷Graduate School of Western Languages and Literature, Tamkang University, 1991 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 61 筆
第 216 頁
... feeling and language can be said to possess " meaning and realm ” ( yi - ching ) , a term interchangeable with ching ... feeling ? Secondly , how does the poet perceive the " true " in the " scene " and the " feeling " during the ...
... feeling and language can be said to possess " meaning and realm ” ( yi - ching ) , a term interchangeable with ching ... feeling ? Secondly , how does the poet perceive the " true " in the " scene " and the " feeling " during the ...
第 224 頁
... feeling " and " scene " does refer to the inner dynamics involved in general , Wang Kuo - wei's distinction regarding the modes of observation is far more specific . He pin- points two essentially different ways in which the poet ...
... feeling " and " scene " does refer to the inner dynamics involved in general , Wang Kuo - wei's distinction regarding the modes of observation is far more specific . He pin- points two essentially different ways in which the poet ...
第 240 頁
... feeling and intent ) on the inside . Have we arrived then at another discontinuous model which places meaning both inside ( in the heart's feeling ) and outside ( in words ) ? Unlike Chuang - Tzu's " fish ( meaning ) within trap ( word ) ...
... feeling and intent ) on the inside . Have we arrived then at another discontinuous model which places meaning both inside ( in the heart's feeling ) and outside ( in words ) ? Unlike Chuang - Tzu's " fish ( meaning ) within trap ( word ) ...
內容
Kieng Long and Western Letters | 17 |
Translation and Reception of Chinese Poetry | 43 |
Schillers Tale | 59 |
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actually aesthetic appears become beginning body called century Chang characters China Chinese comparative comparative literature concept concerned context course critics cultural described discourse discussion dream English example existence experience expression fact feeling female figures hand hermeneutics human Ibsen idea important individual influence interest interpretation kind language light limit literary literature look meaning metaphor mind mirror nature never Notes novel object Oriental original painting paradox past pien-wen plays poem poet poetic poetry political position possible Pound present Press problem question readers reading reality reason refers reflection relation represent response seems sense sexual significance situation social story suggests symbolic textuality theme theory things thinking thought tion traditional trans translation true turn understanding University Wang Werther Western whole writing York