淡江評論, 第 22-23 卷Graduate School of Western Languages and Literature, Tamkang University, 1991 A quarterly of comparative studies of Chinese and foreign literatures. |
搜尋書籍內容
第 1 到 3 筆結果,共 87 筆
第 62 頁
... hand , the only way to present the abstractions of sublimity is to completely release the imagination . As Lyotard accurately observes : " What is required of the imagination , for this abstract presentation which presents nothingness ...
... hand , the only way to present the abstractions of sublimity is to completely release the imagination . As Lyotard accurately observes : " What is required of the imagination , for this abstract presentation which presents nothingness ...
第 131 頁
... hand , if influence studies are meant to include literary imitations and / or translations of various kinds , then the field is an enormous stretch of virgin territory . The bilateral literary trade between China and the West has been ...
... hand , if influence studies are meant to include literary imitations and / or translations of various kinds , then the field is an enormous stretch of virgin territory . The bilateral literary trade between China and the West has been ...
第 164 頁
... hand , by the unconscious . The uncertainties in the past as well as the discrepancies between past and present seem to originate equally from the human unconscious . In a collective sense , the unconscious is related to one's wavering ...
... hand , by the unconscious . The uncertainties in the past as well as the discrepancies between past and present seem to originate equally from the human unconscious . In a collective sense , the unconscious is related to one's wavering ...
內容
Kieng Long and Western Letters | 17 |
Translation and Reception of Chinese Poetry | 43 |
Schillers Tale | 59 |
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actually aesthetic appears become beginning body called century Chang characters China Chinese comparative comparative literature concept concerned context course critics cultural described discourse discussion dream English example existence experience expression fact feeling female figures hand hermeneutics human Ibsen idea important individual influence interest interpretation kind language light limit literary literature look meaning metaphor mind mirror nature never Notes novel object Oriental original painting paradox past pien-wen plays poem poet poetic poetry political position possible Pound present Press problem question readers reading reality reason refers reflection relation represent response seems sense sexual significance situation social story suggests symbolic textuality theme theory things thinking thought tion traditional trans translation true turn understanding University Wang Werther Western whole writing York