淡江評論, 第 22-23 卷Graduate School of Western Languages and Literature, Tamkang University, 1991 A quarterly of comparative studies of Chinese and foreign literatures. |
搜尋書籍內容
第 1 到 3 筆結果,共 70 筆
第 214 頁
... look at it in terms of these two essential elements in Chinese poetry . Over and beyond these inquiries directly related to " ching - chieh " , scholars have also singled out such terms as " ku " ( blocking ) and “ pu - ku ” ( not ...
... look at it in terms of these two essential elements in Chinese poetry . Over and beyond these inquiries directly related to " ching - chieh " , scholars have also singled out such terms as " ku " ( blocking ) and “ pu - ku ” ( not ...
第 230 頁
... look at the interpretive models used by both Chinese and Western literary theorists to define and understand poetry and poetic discourse - models themselves cast in a " metaphysical " discourse often based on poetic images and figures ...
... look at the interpretive models used by both Chinese and Western literary theorists to define and understand poetry and poetic discourse - models themselves cast in a " metaphysical " discourse often based on poetic images and figures ...
第 611 頁
... look at things with a certain detachment , without allowing oneself to be absorbed by their " normality . " Only by ... look like a real horse , the representation of a moonlit forest should look like the real thing . In this view ...
... look at things with a certain detachment , without allowing oneself to be absorbed by their " normality . " Only by ... look like a real horse , the representation of a moonlit forest should look like the real thing . In this view ...
內容
Kieng Long and Western Letters | 17 |
Translation and Reception of Chinese Poetry | 43 |
Schillers Tale | 59 |
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actually aesthetic appears become beginning body called century Chang characters China Chinese comparative comparative literature concept concerned context course critics cultural described discourse discussion dream English example existence experience expression fact feeling female figures hand hermeneutics human Ibsen idea important individual influence interest interpretation kind language light limit literary literature look meaning metaphor mind mirror nature never Notes novel object Oriental original painting paradox past pien-wen plays poem poet poetic poetry political position possible Pound present Press problem question readers reading reality reason refers reflection relation represent response seems sense sexual significance situation social story suggests symbolic textuality theme theory things thinking thought tion traditional trans translation true turn understanding University Wang Werther Western whole writing York