淡江評論, 第 22-23 卷Graduate School of Western Languages and Literature, Tamkang University, 1991 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 48 筆
第 109 頁
... mirror and the mirror of two twentieth century critics . Pound's response to the opposition both affirms and questions it , and the way in which he re- works the paradigm is echoed by two important figures in recent critical theory ...
... mirror and the mirror of two twentieth century critics . Pound's response to the opposition both affirms and questions it , and the way in which he re- works the paradigm is echoed by two important figures in recent critical theory ...
第 118 頁
... mirror world as a still one , and appeals to a magical power to invigorate this self - enclosed mirror world . To join this glass house with the vitality of the living world outside , Krieger in A Window to Criticism appeals to a ...
... mirror world as a still one , and appeals to a magical power to invigorate this self - enclosed mirror world . To join this glass house with the vitality of the living world outside , Krieger in A Window to Criticism appeals to a ...
第 120 頁
Culler , like Krieger , associates mirrors with stillness . Comparing the mirror metaphor in traditional criticism with the mirror stage in Lacanian psycholoanalysis , Culler focuses on the self - sufficiency and the closure of ...
Culler , like Krieger , associates mirrors with stillness . Comparing the mirror metaphor in traditional criticism with the mirror stage in Lacanian psycholoanalysis , Culler focuses on the self - sufficiency and the closure of ...
內容
Kieng Long and Western Letters | 17 |
Translation and Reception of Chinese Poetry | 43 |
Schillers Tale | 59 |
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actually aesthetic appears become beginning body called century Chang characters China Chinese comparative comparative literature concept concerned context course critics cultural described discourse discussion dream English example existence experience expression fact feeling female figures hand hermeneutics human Ibsen idea important individual influence interest interpretation kind language light limit literary literature look meaning metaphor mind mirror nature never Notes novel object Oriental original painting paradox past pien-wen plays poem poet poetic poetry political position possible Pound present Press problem question readers reading reality reason refers reflection relation represent response seems sense sexual significance situation social story suggests symbolic textuality theme theory things thinking thought tion traditional trans translation true turn understanding University Wang Werther Western whole writing York