淡江評論, 第 22-23 卷Graduate School of Western Languages and Literature, Tamkang University, 1991 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 87 筆
第 60 頁
... nature " but must " botally abandon " it . ( N & SP , 165 ) . If she is more intensely attached to nature than is the naive personality , [ that attachment ] is " not in her greater accord with nature , but quite the contrary , [ in ] ...
... nature " but must " botally abandon " it . ( N & SP , 165 ) . If she is more intensely attached to nature than is the naive personality , [ that attachment ] is " not in her greater accord with nature , but quite the contrary , [ in ] ...
第 229 頁
in a " continuous nature , " in the time - flow of a natural , relational environ- ment , is clear from his talk of the " real world , " of " nature - thus - natural . " But the implication for Yip of Barthes ' view here would seem to ...
in a " continuous nature , " in the time - flow of a natural , relational environ- ment , is clear from his talk of the " real world , " of " nature - thus - natural . " But the implication for Yip of Barthes ' view here would seem to ...
第 232 頁
... nature . " Yip's claim that Chinese poetic language allows us to grasp or express the thing - world of nature directly , unmediated by a discursive - predicative language , would seem to depend on the view that meaning comes outside of ...
... nature . " Yip's claim that Chinese poetic language allows us to grasp or express the thing - world of nature directly , unmediated by a discursive - predicative language , would seem to depend on the view that meaning comes outside of ...
內容
Kieng Long and Western Letters | 17 |
Translation and Reception of Chinese Poetry | 43 |
Schillers Tale | 59 |
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actually aesthetic appears become beginning body called century Chang characters China Chinese comparative comparative literature concept concerned context course critics cultural described discourse discussion dream English example existence experience expression fact feeling female figures hand hermeneutics human Ibsen idea important individual influence interest interpretation kind language light limit literary literature look meaning metaphor mind mirror nature never Notes novel object Oriental original painting paradox past pien-wen plays poem poet poetic poetry political position possible Pound present Press problem question readers reading reality reason refers reflection relation represent response seems sense sexual significance situation social story suggests symbolic textuality theme theory things thinking thought tion traditional trans translation true turn understanding University Wang Werther Western whole writing York