淡江評論, 第 22-23 卷Graduate School of Western Languages and Literature, Tamkang University, 1991 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 38 筆
第 363 頁
... paradox . A critic is not an arbiter , however ; he simply uses " the language of control , " such as names , jargons and quotations to disguise or displace the paradox . Whenever there is paradox of textuality , the dominant / West ...
... paradox . A critic is not an arbiter , however ; he simply uses " the language of control , " such as names , jargons and quotations to disguise or displace the paradox . Whenever there is paradox of textuality , the dominant / West ...
第 365 頁
... paradox arises from such a story where spear is mao and shield tun , together making mao - tun ( paradox ) . However paradoxical the story sounds , the man possesses both the spear and the shield . Others may be able to challenge the ...
... paradox arises from such a story where spear is mao and shield tun , together making mao - tun ( paradox ) . However paradoxical the story sounds , the man possesses both the spear and the shield . Others may be able to challenge the ...
第 367 頁
... Paradox , Poetics ( New Jersey : Princeton University Press , 1988 ) , p . 100 . 8. Warlim Yip , Li - shih ch'uan - shih mei - hsien · [ History , Her- meneutics , Aesthetics ] ( Taipei : Tung - ta , 1988 ) , p . 53. Translation mine ...
... Paradox , Poetics ( New Jersey : Princeton University Press , 1988 ) , p . 100 . 8. Warlim Yip , Li - shih ch'uan - shih mei - hsien · [ History , Her- meneutics , Aesthetics ] ( Taipei : Tung - ta , 1988 ) , p . 53. Translation mine ...
內容
Kieng Long and Western Letters | 17 |
Translation and Reception of Chinese Poetry | 43 |
Schillers Tale | 59 |
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actually aesthetic appears become beginning body called century Chang characters China Chinese comparative comparative literature concept concerned context course critics cultural described discourse discussion dream English example existence experience expression fact feeling female figures hand hermeneutics human Ibsen idea important individual influence interest interpretation kind language light limit literary literature look meaning metaphor mind mirror nature never Notes novel object Oriental original painting paradox past pien-wen plays poem poet poetic poetry political position possible Pound present Press problem question readers reading reality reason refers reflection relation represent response seems sense sexual significance situation social story suggests symbolic textuality theme theory things thinking thought tion traditional trans translation true turn understanding University Wang Werther Western whole writing York