淡江評論, 第 22-23 卷Graduate School of Western Languages and Literature, Tamkang University, 1991 A quarterly of comparative studies of Chinese and foreign literatures. |
搜尋書籍內容
第 1 到 3 筆結果,共 88 筆
第 224 頁
... poetic I " ( wuo ) and the " poetic material " ( wu in the sense of the traditional notion of " object " ) . As such , the scope of wu is broadened to include everything that the poet writes about , scene as well as human feelings ...
... poetic I " ( wuo ) and the " poetic material " ( wu in the sense of the traditional notion of " object " ) . As such , the scope of wu is broadened to include everything that the poet writes about , scene as well as human feelings ...
第 230 頁
... poetic discourse - models themselves cast in a " metaphysical " discourse often based on poetic images and figures of speech . These models are sufficiently open - ended and indeterminate that they could as well fit Chinese as Western ...
... poetic discourse - models themselves cast in a " metaphysical " discourse often based on poetic images and figures of speech . These models are sufficiently open - ended and indeterminate that they could as well fit Chinese as Western ...
第 635 頁
... poetic theory and classical Chinese poetics : of course , this " similarity " has facilitated Hu Shih's reception and understanding of Wordsworth according to our mediation theory . Indeed , some years later Hu Shih correctly referred ...
... poetic theory and classical Chinese poetics : of course , this " similarity " has facilitated Hu Shih's reception and understanding of Wordsworth according to our mediation theory . Indeed , some years later Hu Shih correctly referred ...
內容
Kieng Long and Western Letters | 17 |
Translation and Reception of Chinese Poetry | 43 |
Schillers Tale | 59 |
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actually aesthetic appears become beginning body called century Chang characters China Chinese comparative comparative literature concept concerned context course critics cultural described discourse discussion dream English example existence experience expression fact feeling female figures hand hermeneutics human Ibsen idea important individual influence interest interpretation kind language light limit literary literature look meaning metaphor mind mirror nature never Notes novel object Oriental original painting paradox past pien-wen plays poem poet poetic poetry political position possible Pound present Press problem question readers reading reality reason refers reflection relation represent response seems sense sexual significance situation social story suggests symbolic textuality theme theory things thinking thought tion traditional trans translation true turn understanding University Wang Werther Western whole writing York