淡江評論, 第 22-23 卷Graduate School of Western Languages and Literature, Tamkang University, 1991 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 84 筆
第 108 頁
... reality , Pound in this poem questions the reality of the image reflected . The train of images that are shown in the mirror , though full of sound and fury , probably fails to capture the true being of the poet . " O ribald company ...
... reality , Pound in this poem questions the reality of the image reflected . The train of images that are shown in the mirror , though full of sound and fury , probably fails to capture the true being of the poet . " O ribald company ...
第 117 頁
... reality and the reality created by a poem , Krieger's first function may be termed the mimetic function . As the self - reflexive mirrors create a self - contained reality , Krieger's second function corresponds to what Abrams calls the ...
... reality and the reality created by a poem , Krieger's first function may be termed the mimetic function . As the self - reflexive mirrors create a self - contained reality , Krieger's second function corresponds to what Abrams calls the ...
第 721 頁
... reality , the subject who experiences such confusion must be a split subject , a person who is alienated from him ... reality or dream and reality in the text can be taken to reflect the split subjectivity of the protagonist . Indeed ...
... reality , the subject who experiences such confusion must be a split subject , a person who is alienated from him ... reality or dream and reality in the text can be taken to reflect the split subjectivity of the protagonist . Indeed ...
內容
Kieng Long and Western Letters | 17 |
Translation and Reception of Chinese Poetry | 43 |
Schillers Tale | 59 |
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actually aesthetic appears become beginning body called century Chang characters China Chinese comparative comparative literature concept concerned context course critics cultural described discourse discussion dream English example existence experience expression fact feeling female figures hand hermeneutics human Ibsen idea important individual influence interest interpretation kind language light limit literary literature look meaning metaphor mind mirror nature never Notes novel object Oriental original painting paradox past pien-wen plays poem poet poetic poetry political position possible Pound present Press problem question readers reading reality reason refers reflection relation represent response seems sense sexual significance situation social story suggests symbolic textuality theme theory things thinking thought tion traditional trans translation true turn understanding University Wang Werther Western whole writing York