淡江評論, 第 22-23 卷Graduate School of Western Languages and Literature, Tamkang University, 1991 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 79 筆
第 350 頁
... represents the " meaning behind language , " which is purely rhetorical , but the latter tends to represent what Yen Yu calls yen yu chin i wu chiung ( language is exhausted ,言有盡意無窮 but the significance is infinite ) . T.S. ...
... represents the " meaning behind language , " which is purely rhetorical , but the latter tends to represent what Yen Yu calls yen yu chin i wu chiung ( language is exhausted ,言有盡意無窮 but the significance is infinite ) . T.S. ...
第 439 頁
... represent the mind in motion or in tranquility respectively . Having thoughts or having no thought represents the activity or tranquility of the mind in the state of motion . Having dreams or having no dream represents the activity or ...
... represent the mind in motion or in tranquility respectively . Having thoughts or having no thought represents the activity or tranquility of the mind in the state of motion . Having dreams or having no dream represents the activity or ...
第 530 頁
... represent the Chinese romantic consciousness since its concern for beauty is with disinterested artistic beauty , that is to say , one that pursues internal harmony in daily life , in Nature , in times past , present , time to come and ...
... represent the Chinese romantic consciousness since its concern for beauty is with disinterested artistic beauty , that is to say , one that pursues internal harmony in daily life , in Nature , in times past , present , time to come and ...
內容
Kieng Long and Western Letters | 17 |
Translation and Reception of Chinese Poetry | 43 |
Schillers Tale | 59 |
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actually aesthetic appears become beginning body called century Chang characters China Chinese comparative comparative literature concept concerned context course critics cultural described discourse discussion dream English example existence experience expression fact feeling female figures hand hermeneutics human Ibsen idea important individual influence interest interpretation kind language light limit literary literature look meaning metaphor mind mirror nature never Notes novel object Oriental original painting paradox past pien-wen plays poem poet poetic poetry political position possible Pound present Press problem question readers reading reality reason refers reflection relation represent response seems sense sexual significance situation social story suggests symbolic textuality theme theory things thinking thought tion traditional trans translation true turn understanding University Wang Werther Western whole writing York