淡江評論, 第 22-23 卷Graduate School of Western Languages and Literature, Tamkang University, 1991 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 76 筆
第 116 頁
... seen that the distinction is deeply entrenched and hard to avoid . Still , Pound often , in the same piece of writing , pro- claims a preference for light and then subtly undermines this preference . In " Blandula , Tenulla , Vagula ...
... seen that the distinction is deeply entrenched and hard to avoid . Still , Pound often , in the same piece of writing , pro- claims a preference for light and then subtly undermines this preference . In " Blandula , Tenulla , Vagula ...
第 449 頁
... seen the respective animals . " While awake , a person's spirit resides in the eyes ; while asleep , it rests in the mind . What the eyes have seen are what the mind thinks about and what will be manifested in a dream . " From the ...
... seen the respective animals . " While awake , a person's spirit resides in the eyes ; while asleep , it rests in the mind . What the eyes have seen are what the mind thinks about and what will be manifested in a dream . " From the ...
第 792 頁
... seen in these three categories : ming - chieh ( the nether world ) , hsien - hsiang immortals ) , and yao - chieh or monsters ) . " ( the world of fairies or ( the world of ghosts or spirits Very interestingly , I find the emphasis upon ...
... seen in these three categories : ming - chieh ( the nether world ) , hsien - hsiang immortals ) , and yao - chieh or monsters ) . " ( the world of fairies or ( the world of ghosts or spirits Very interestingly , I find the emphasis upon ...
內容
Kieng Long and Western Letters | 17 |
Translation and Reception of Chinese Poetry | 43 |
Schillers Tale | 59 |
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actually aesthetic appears become beginning body called century Chang characters China Chinese comparative comparative literature concept concerned context course critics cultural described discourse discussion dream English example existence experience expression fact feeling female figures hand hermeneutics human Ibsen idea important individual influence interest interpretation kind language light limit literary literature look meaning metaphor mind mirror nature never Notes novel object Oriental original painting paradox past pien-wen plays poem poet poetic poetry political position possible Pound present Press problem question readers reading reality reason refers reflection relation represent response seems sense sexual significance situation social story suggests symbolic textuality theme theory things thinking thought tion traditional trans translation true turn understanding University Wang Werther Western whole writing York