淡江評論, 第 22-23 卷Graduate School of Western Languages and Literature, Tamkang University, 1991 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 88 筆
第 160 頁
... sense and seen in terms of its function , Mukarovsky's view of aesthetics being a case in point.12 In other words , one does not have to restrict aesthetics to the beauty of an imagina- tive structure itself , one may very well go one ...
... sense and seen in terms of its function , Mukarovsky's view of aesthetics being a case in point.12 In other words , one does not have to restrict aesthetics to the beauty of an imagina- tive structure itself , one may very well go one ...
第 357 頁
... sense a critical commentary is inevtiably a piece of “ double writing , " as in Foucault's case . Said has a lucid account of this kind of " double - writing " : The text [ critical commentary ] intended first to describe ( by ...
... sense a critical commentary is inevtiably a piece of “ double writing , " as in Foucault's case . Said has a lucid account of this kind of " double - writing " : The text [ critical commentary ] intended first to describe ( by ...
第 450 頁
... sense data . Horses , a carriage , and a canopy are associated because they belong to the category of objects used in transportation . Likewise , in the first line in Su Shih's example to which Yeh Tzu - ch'i refers here , sheep and ...
... sense data . Horses , a carriage , and a canopy are associated because they belong to the category of objects used in transportation . Likewise , in the first line in Su Shih's example to which Yeh Tzu - ch'i refers here , sheep and ...
內容
Kieng Long and Western Letters | 17 |
Translation and Reception of Chinese Poetry | 43 |
Schillers Tale | 59 |
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actually aesthetic appears become beginning body called century Chang characters China Chinese comparative comparative literature concept concerned context course critics cultural described discourse discussion dream English example existence experience expression fact feeling female figures hand hermeneutics human Ibsen idea important individual influence interest interpretation kind language light limit literary literature look meaning metaphor mind mirror nature never Notes novel object Oriental original painting paradox past pien-wen plays poem poet poetic poetry political position possible Pound present Press problem question readers reading reality reason refers reflection relation represent response seems sense sexual significance situation social story suggests symbolic textuality theme theory things thinking thought tion traditional trans translation true turn understanding University Wang Werther Western whole writing York