淡江評論, 第 22-23 卷Graduate School of Western Languages and Literature, Tamkang University, 1991 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 78 筆
第 266 頁
... social influence is concerned , but why do people begin to shift their interest in Ibsen's social themes to other aspects of his drama despite the fact that the social themes were once so influential ? Even more interesting is the ...
... social influence is concerned , but why do people begin to shift their interest in Ibsen's social themes to other aspects of his drama despite the fact that the social themes were once so influential ? Even more interesting is the ...
第 273 頁
... social protests of the past century simply lost the objects of their attacks . Since Ibsen was still treated as a playwright of social protest , his plays lost their sensational appeal to the audience . Only after a decade or so when ...
... social protests of the past century simply lost the objects of their attacks . Since Ibsen was still treated as a playwright of social protest , his plays lost their sensational appeal to the audience . Only after a decade or so when ...
第 276 頁
... social influence was first seen in the advocacy of individualism and iconoclasm in the writings of Lu Hsun and Hu Shih . The social movements in China gave the interpretation of Ibsen's plays a new political context by which the critics ...
... social influence was first seen in the advocacy of individualism and iconoclasm in the writings of Lu Hsun and Hu Shih . The social movements in China gave the interpretation of Ibsen's plays a new political context by which the critics ...
內容
Kieng Long and Western Letters | 17 |
Translation and Reception of Chinese Poetry | 43 |
Schillers Tale | 59 |
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actually aesthetic appears become beginning body called century Chang characters China Chinese comparative comparative literature concept concerned context course critics cultural described discourse discussion dream English example existence experience expression fact feeling female figures hand hermeneutics human Ibsen idea important individual influence interest interpretation kind language light limit literary literature look meaning metaphor mind mirror nature never Notes novel object Oriental original painting paradox past pien-wen plays poem poet poetic poetry political position possible Pound present Press problem question readers reading reality reason refers reflection relation represent response seems sense sexual significance situation social story suggests symbolic textuality theme theory things thinking thought tion traditional trans translation true turn understanding University Wang Werther Western whole writing York