淡江評論, 第 22-23 卷Graduate School of Western Languages and Literature, Tamkang University, 1991 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 71 筆
第 567 頁
... structure . In order to understand or interpret a poem , it is necessary for the reader to assume a structure which functions as a totality or a harmonious whole . As Jonathan Culler observes , " Understanding is necessarily a ...
... structure . In order to understand or interpret a poem , it is necessary for the reader to assume a structure which functions as a totality or a harmonious whole . As Jonathan Culler observes , " Understanding is necessarily a ...
第 580 頁
... structure : As for structure ... it is like Nature giving form to a human being : when the semen and blood are in the initial state of joining together and the embryo has not been completed yet , it first plans the whole form , so that ...
... structure : As for structure ... it is like Nature giving form to a human being : when the semen and blood are in the initial state of joining together and the embryo has not been completed yet , it first plans the whole form , so that ...
第 760 頁
... structure the order of the Six Points so that it looks more reasonable and facilitates the discussion in the practical criticsm below . Here are the re - ordered Six Points and their explanation : First , wei - t'i , which means the ...
... structure the order of the Six Points so that it looks more reasonable and facilitates the discussion in the practical criticsm below . Here are the re - ordered Six Points and their explanation : First , wei - t'i , which means the ...
內容
Kieng Long and Western Letters | 17 |
Translation and Reception of Chinese Poetry | 43 |
Schillers Tale | 59 |
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actually aesthetic appears become beginning body called century Chang characters China Chinese comparative comparative literature concept concerned context course critics cultural described discourse discussion dream English example existence experience expression fact feeling female figures hand hermeneutics human Ibsen idea important individual influence interest interpretation kind language light limit literary literature look meaning metaphor mind mirror nature never Notes novel object Oriental original painting paradox past pien-wen plays poem poet poetic poetry political position possible Pound present Press problem question readers reading reality reason refers reflection relation represent response seems sense sexual significance situation social story suggests symbolic textuality theme theory things thinking thought tion traditional trans translation true turn understanding University Wang Werther Western whole writing York