淡江評論, 第 22-23 卷Graduate School of Western Languages and Literature, Tamkang University, 1991 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 85 筆
第 216 頁
" true " as a basis and measure of great literature : When the great masters express feelings , they penetrate into the inner core of one's being . When they describe scenery , they open up one's eyes and ears . Their words just come ...
" true " as a basis and measure of great literature : When the great masters express feelings , they penetrate into the inner core of one's being . When they describe scenery , they open up one's eyes and ears . Their words just come ...
第 217 頁
... true , " with its emphasis on the isolation of the object of contemplation from all irrelevancies , this idea of the " true " is not really alien to Chinese aesthetics . Ssu - k'ung T'u , for example , in his poetical trea- tise ...
... true , " with its emphasis on the isolation of the object of contemplation from all irrelevancies , this idea of the " true " is not really alien to Chinese aesthetics . Ssu - k'ung T'u , for example , in his poetical trea- tise ...
第 226 頁
... true . " What , then , does " not blocking " really mean ? Does it simply refer to the language of poetry ? And does it relate to his central notion of " world " and " true " ? In one of the passages cited earlier from JCTH , Wang ...
... true . " What , then , does " not blocking " really mean ? Does it simply refer to the language of poetry ? And does it relate to his central notion of " world " and " true " ? In one of the passages cited earlier from JCTH , Wang ...
內容
Kieng Long and Western Letters | 17 |
Translation and Reception of Chinese Poetry | 43 |
Schillers Tale | 59 |
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常見字詞
actually aesthetic appears become beginning body called century Chang characters China Chinese comparative comparative literature concept concerned context course critics cultural described discourse discussion dream English example existence experience expression fact feeling female figures hand hermeneutics human Ibsen idea important individual influence interest interpretation kind language light limit literary literature look meaning metaphor mind mirror nature never Notes novel object Oriental original painting paradox past pien-wen plays poem poet poetic poetry political position possible Pound present Press problem question readers reading reality reason refers reflection relation represent response seems sense sexual significance situation social story suggests symbolic textuality theme theory things thinking thought tion traditional trans translation true turn understanding University Wang Werther Western whole writing York