淡江評論, 第 22-23 卷Graduate School of Western Languages and Literature, Tamkang University, 1991 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 76 筆
第 317 頁
... woman characters are presented in Hung lou meng , woman eludes " Thou art that , " that is , any definite identification . Thus Pao - yu's famous enunciation is rather a counter - discourse recognizing the difference of the other ...
... woman characters are presented in Hung lou meng , woman eludes " Thou art that , " that is , any definite identification . Thus Pao - yu's famous enunciation is rather a counter - discourse recognizing the difference of the other ...
第 320 頁
... Woman , This Sex Which is not One , or Et l'une ne bouge pas sans l'autre . ) For if the existing reduction of sexual difference to the male ontological Sameness is undesirable , a revolu- tion in thought and ethics is needed . Instead ...
... Woman , This Sex Which is not One , or Et l'une ne bouge pas sans l'autre . ) For if the existing reduction of sexual difference to the male ontological Sameness is undesirable , a revolu- tion in thought and ethics is needed . Instead ...
第 783 頁
... woman's image in the popular comic tradition.10 Bakhtin's ambivalence of the woman parallels the contingency of sexuality argued by Foucault and the non - identity endorsed by Moi's androgynous ideal . Here , I want to argue that ...
... woman's image in the popular comic tradition.10 Bakhtin's ambivalence of the woman parallels the contingency of sexuality argued by Foucault and the non - identity endorsed by Moi's androgynous ideal . Here , I want to argue that ...
內容
Kieng Long and Western Letters | 17 |
Translation and Reception of Chinese Poetry | 43 |
Schillers Tale | 59 |
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actually aesthetic appears become beginning body called century Chang characters China Chinese comparative comparative literature concept concerned context course critics cultural described discourse discussion dream English example existence experience expression fact feeling female figures hand hermeneutics human Ibsen idea important individual influence interest interpretation kind language light limit literary literature look meaning metaphor mind mirror nature never Notes novel object Oriental original painting paradox past pien-wen plays poem poet poetic poetry political position possible Pound present Press problem question readers reading reality reason refers reflection relation represent response seems sense sexual significance situation social story suggests symbolic textuality theme theory things thinking thought tion traditional trans translation true turn understanding University Wang Werther Western whole writing York