淡江評論, 第 22-23 卷Graduate School of Western Languages and Literature, Tamkang University, 1991 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 80 筆
第 730 頁
... women's fiction , we mean fictional works by women that deal essentially with women's experience . 2 See Luce Irigary , " This Sex Which Is Not One " in New French Feminism , ed . Elaine Marks and Isabelle de Courtivron ( 1980 ; rpt ...
... women's fiction , we mean fictional works by women that deal essentially with women's experience . 2 See Luce Irigary , " This Sex Which Is Not One " in New French Feminism , ed . Elaine Marks and Isabelle de Courtivron ( 1980 ; rpt ...
第 731 頁
... women is characterized by a strong impulse to dramatize women's imprisonment in a patriarchal structure . For a discussion of women's anxieties about space in the literature of nineteenth - century and twentieth - century women , sec ...
... women is characterized by a strong impulse to dramatize women's imprisonment in a patriarchal structure . For a discussion of women's anxieties about space in the literature of nineteenth - century and twentieth - century women , sec ...
第 781 頁
... women demand equal access to the symbolic order usually dominated by men . Then there is radical feminism -- femininity is extolled and women reject the male symbolic order in the name of difference . The biological and essential ...
... women demand equal access to the symbolic order usually dominated by men . Then there is radical feminism -- femininity is extolled and women reject the male symbolic order in the name of difference . The biological and essential ...
內容
Kieng Long and Western Letters | 17 |
Translation and Reception of Chinese Poetry | 43 |
Schillers Tale | 59 |
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actually aesthetic appears become beginning body called century Chang characters China Chinese comparative comparative literature concept concerned context course critics cultural described discourse discussion dream English example existence experience expression fact feeling female figures hand hermeneutics human Ibsen idea important individual influence interest interpretation kind language light limit literary literature look meaning metaphor mind mirror nature never Notes novel object Oriental original painting paradox past pien-wen plays poem poet poetic poetry political position possible Pound present Press problem question readers reading reality reason refers reflection relation represent response seems sense sexual significance situation social story suggests symbolic textuality theme theory things thinking thought tion traditional trans translation true turn understanding University Wang Werther Western whole writing York