Tamkang Review, 第 20 卷Graduate School of Western Languages and Literature, Tamkang University, 1989 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 52 筆
第 157 頁
... lines with more melancholy beauty than these by Burns : The white moon is setting behind the white wave , And Time is setting with me , O ! and these lines are perfectly symbolical . Take from them the whiteness of the moon and of the ...
... lines with more melancholy beauty than these by Burns : The white moon is setting behind the white wave , And Time is setting with me , O ! and these lines are perfectly symbolical . Take from them the whiteness of the moon and of the ...
第 164 頁
... lines within the parallel stichs . For example , in the 21 lines of Kirsa's song , he discovers that the longer lines ( 1 and 12 ) " display an internal grammatical parallelism of their hemistich , a device shared by the intermediate lines ...
... lines within the parallel stichs . For example , in the 21 lines of Kirsa's song , he discovers that the longer lines ( 1 and 12 ) " display an internal grammatical parallelism of their hemistich , a device shared by the intermediate lines ...
第 208 頁
... line , we see the poet wondering about the origin of the sand . The present participles in the following lines , " blowing , " " drifting , ” " driving , " and " flying " suggest a world of flux which reminds us of the Buddhist concept ...
... line , we see the poet wondering about the origin of the sand . The present participles in the following lines , " blowing , " " drifting , ” " driving , " and " flying " suggest a world of flux which reminds us of the Buddhist concept ...
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