Tamkang Review, 第 12 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1981 |
搜尋書籍內容
第 1 到 3 筆結果,共 39 筆
第 234 頁
... actor and the audience in the environment of his Dionysus in 69. He doesn't use the routine words " play , " " actor , " and " theatre . " He uses " performance " for play , " Performer " for actor and " space " or " environment " for ...
... actor and the audience in the environment of his Dionysus in 69. He doesn't use the routine words " play , " " actor , " and " theatre . " He uses " performance " for play , " Performer " for actor and " space " or " environment " for ...
第 290 頁
... actor , in performing a character going in / out a door , should show the action of passing over the threshhold so that the audience can learn that he is going through a door . Assuming that the door is closed or locked , the actor ...
... actor , in performing a character going in / out a door , should show the action of passing over the threshhold so that the audience can learn that he is going through a door . Assuming that the door is closed or locked , the actor ...
第 291 頁
... actor's performance with a scull or a punting pole . So , a horsewhip is nothing but a horsewhip , and an oar but an oar ; they are only auxiliary devices used by the actor in his per- formance to assure the existence of the horse or ...
... actor's performance with a scull or a punting pole . So , a horsewhip is nothing but a horsewhip , and an oar but an oar ; they are only auxiliary devices used by the actor in his per- formance to assure the existence of the horse or ...
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