Media in China: Consumption, Content and Crisis

封面
Stephanie Hemelryk Donald, Yin Hong, Michael Keane
Routledge, 2014年2月4日 - 256 頁
Multinational media companies increasingly look to China as a highly important market for the future, but with what degree of confidence should they do so? Media in China is about a new kind of revolution in China - a revolution in which rapidly commercializing media industries confront slow-changing power relations between political, social and economic spheres. This interdisciplinary collection draws on the expertise of industry professionals, academic experts and cultural critics. It offers a variety of perspectives on audio-visual industries in the world's largest media market. In particular, the contributors examine television, film, music, commercial and political advertising, and new media such as the internet and multimedia. These essays explore evolving audience demographies, new patterns of media reception in regional centres, and the gradual internationalization of media content and foreign investment in China's broadcasting industries.
This book will of use to students and professionals involved in media and communication, as well as anyone interested in contemporary China.
 

內容

new convergences new approaches
3
Chinese media one channel two systems
18
the history
28
Cinema and Television Marketing Strategies
41
four modes of televisual imagination
67
television formats and content creation
80
commercial fantasies
93
We are Chinese music and identity in cultural China
105
Crazy rabbits Childrens media culture
128
What can I do for Shanghai? Selling spiritual civilization
139
a market report
152
development and content
167
convergence content industries
200
Notes on contributors
212
Index
232
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關於作者 (2014)

Stephanie Hemelryk Donald is Senior lecturer in Media and communications at the University of Melbourne. Research interests include children and the media in China, film cultures and visual politics in the Asian region. Michael Keane is Research Fellow at the Creative Industries Research and Applications Centre at Queensland (CIRAC) University of Technology. His PhD. dissertation (1999) discussed policy and Chinese domestic television drama development in the 1990s. Research interests are media governance, and television format trade and creative industry developments in East Asia. Yin Hong is Professor in the Department of Communication, Tsinghua University, Beijing, China.

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