Tamkang Review, 第 29 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1998 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 86 筆
第 76 頁
als When an artist feels the pressure of the past , the past of the cul- ture and the art tradition , the past which is loved but lost , secretly cherished but at the same time denounced , to invoke and embed in the text the styles of ...
als When an artist feels the pressure of the past , the past of the cul- ture and the art tradition , the past which is loved but lost , secretly cherished but at the same time denounced , to invoke and embed in the text the styles of ...
第 70 頁
... past ; in- stead , such remembering opens up an empty space in the subject and allows the re - imagined past to invade into the present self , leading to the simultaneous co - existence of the past and the present . The dis- turbing ...
... past ; in- stead , such remembering opens up an empty space in the subject and allows the re - imagined past to invade into the present self , leading to the simultaneous co - existence of the past and the present . The dis- turbing ...
第 77 頁
... past but the desired return of the past in the figure of her girlfriend can only un- dermine the force of the past as the fetishized object of her desire . The mechanism of nostalgia demands the absence of the past so that the nostalgic ...
... past but the desired return of the past in the figure of her girlfriend can only un- dermine the force of the past as the fetishized object of her desire . The mechanism of nostalgia demands the absence of the past so that the nostalgic ...
內容
AUTUMN 1998 NO | 1 |
SPRING 1999 NO | 3 |
Western FeminismFemininity Whitney Crothers Dilley | 19 |
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