Tamkang Review, 第 29 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1998 A quarterly of comparative studies of Chinese and foreign literatures. |
搜尋書籍內容
第 1 到 3 筆結果,共 84 筆
第 130 頁
... scene 1 and dense with Shadrin's dialogue with Wiran in scene 18 . Even Wiran's concluding pro - democracy dissenting speech at the last scene belongs to a Party member . The Proles who appear as op- pressed creatures , even when ...
... scene 1 and dense with Shadrin's dialogue with Wiran in scene 18 . Even Wiran's concluding pro - democracy dissenting speech at the last scene belongs to a Party member . The Proles who appear as op- pressed creatures , even when ...
第 54 頁
... scene as herself , she ends up singing into the silent telephone , as if to her dead lover . But the actress ' " own " last scene is followed by her last appearance as Jiang Biyu , after the death of her ( Jiang's ) husband . This last ...
... scene as herself , she ends up singing into the silent telephone , as if to her dead lover . But the actress ' " own " last scene is followed by her last appearance as Jiang Biyu , after the death of her ( Jiang's ) husband . This last ...
第 60 頁
... scene in the whole film which actually shows government soldiers in action against the Taiwanese rebels , and so it is the most politically sensitive . This flashback is a free - floating scene in two senses . First , this scene is ...
... scene in the whole film which actually shows government soldiers in action against the Taiwanese rebels , and so it is the most politically sensitive . This flashback is a free - floating scene in two senses . First , this scene is ...
內容
AUTUMN 1998 NO | 1 |
SPRING 1999 NO | 3 |
Western FeminismFemininity Whitney Crothers Dilley | 19 |
23 個其他區段未顯示
其他版本 - 查看全部
常見字詞
aesthetic Bing Xin Chang characters Chen China Chinese literature chubanshe Cinema City of Sadness Comparative Literature Confucian construction contemporary Chinese critics cultural discourse drama Eileen Chang's English essay February 28 Incident female identity feminine feminism feminist Feng Menglong Feng Menglong's fiction film gender genre Haidong qing ideology images Japanese Kristeva Kwan Kwan's language Liang literary Livesay Lu Xun Mahua Malaysian male Mao Dun Ming Modern Chinese Literature Modernist moral narrative narrator nature nostalgia novel past play poems poetic poetry poets political postmodern reader Riefenstahl role Rose satire scene sense sexual Shanghai Singapore social society Song story studies Swie Hian symbolic Taipei Taitai wansui Taiwan Taiwanese Tamkang Tamkang University Tan Swie Hian Tang theory tion translation trauma University voice Wang Shuo wenxue Western woman women words writing xiaoshuo Yenli Zhang Ailing Zhenbao's Zhu Ling Zhu Tianwen Zhu's