Tamkang Review, 第 33 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 2002 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 20 筆
第 153 頁
... Blanchot , the " in - between " stands for an absolute separation , a detachment of the subject from his desire ... Blanchot assumes an absolute distance between the two - the " in - between " space that lends the ground to infinite ...
... Blanchot , the " in - between " stands for an absolute separation , a detachment of the subject from his desire ... Blanchot assumes an absolute distance between the two - the " in - between " space that lends the ground to infinite ...
第 155 頁
... Blanchot himself ) . To be able to say " I , " the writing subject is obliged to see himself effaced from the word ... Blanchot's impossible " Il , " as the third term in between real object and linguistic representation , deconstructs ...
... Blanchot himself ) . To be able to say " I , " the writing subject is obliged to see himself effaced from the word ... Blanchot's impossible " Il , " as the third term in between real object and linguistic representation , deconstructs ...
第 156 頁
... Blanchot's theoretical and literary texts are read as some sort of rep- ressed trauma . Philippe Mesnard also interpretes The Madness of the Day as an account of the day when Blanchot escaped execution at the hands of the Germans ( 1994 ) ...
... Blanchot's theoretical and literary texts are read as some sort of rep- ressed trauma . Philippe Mesnard also interpretes The Madness of the Day as an account of the day when Blanchot escaped execution at the hands of the Germans ( 1994 ) ...
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