Tamkang Review, 第 33 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 2002 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 68 筆
第 54 頁
... figure is , instead of the daughter - protagonist's mother , the lover's mother , who is considered by Hu an " Oedipus mother " for her exercising of the patriarchal law by intruding on her son's marriage to the heroine daughter . 9 ...
... figure is , instead of the daughter - protagonist's mother , the lover's mother , who is considered by Hu an " Oedipus mother " for her exercising of the patriarchal law by intruding on her son's marriage to the heroine daughter . 9 ...
第 60 頁
... figure based on his own image and to inflate this fictional personality to the proportions of an ideal , larger - than - life vision " ( Lee 13 ) . What we see in this example is that , as vision gets the upper hand of reality , certain ...
... figure based on his own image and to inflate this fictional personality to the proportions of an ideal , larger - than - life vision " ( Lee 13 ) . What we see in this example is that , as vision gets the upper hand of reality , certain ...
第 132 頁
... figure of Crusoe as a terrifying image of despair haunted Walcott so much that he appears in Walcott's early poems such as The Castaway ( 1965 ) , and in shadowy passages of Omeros ( 1990 ) , as well as in his essay " The Figure of ...
... figure of Crusoe as a terrifying image of despair haunted Walcott so much that he appears in Walcott's early poems such as The Castaway ( 1965 ) , and in shadowy passages of Omeros ( 1990 ) , as well as in his essay " The Figure of ...
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